Roman Lepeshkin is a multifaceted figure in Kyrgyzstan, whose work bridges the fields of urban development and theater. As the author of a course on urban planning and development in Kyrgyzstan and the director of an independent theater, Roman’s influence extends across both the architectural and cultural landscapes of the country. His dedication to these two seemingly different disciplines has shaped the way he sees and engages with the urban environment in Bishkek, Kyrgyzstan’s capital.

In an interview, Roman delved into the unique character of Bishkek’s urban development, making it a central topic of conversation. He explored the city’s architecture, the peculiarities of its construction styles, and the distinctive approach to building decoration. According to Roman, Bishkek is a city where Soviet-era influences, post-independence architecture, and Kyrgyz traditions merge to create a unique, sometimes disjointed, yet vibrant urban landscape. His observations on Bishkek’s evolving identity reflect his deep understanding of the city’s role in shaping its residents’ lives and experiences.

Roman’s insight into urban development doesn’t stop with the physical structures of the city; he also sees the cultural and social fabric as equally important. As the director of an independent theater, he has explored the intersections of Russian and Kyrgyz theater traditions. In his work, he has emphasized the similarities and differences in how these theatrical forms are perceived and appreciated. Roman has also drawn attention to the unique challenges faced by independent theater companies in Kyrgyzstan, navigating a space often dominated by state-funded institutions.

In particular, Roman is an advocate for the development of independent theater as a powerful tool for cultural expression and social commentary. He believes that independent theater provides a critical platform for diverse voices and artistic experimentation that might not always align with mainstream productions. This passion for alternative forms of expression has made his theater an essential part of Bishkek’s cultural scene.

Roman Lepeshkin has also been vocal about the need for international partnerships, viewing them as essential for fostering collaboration and mutual understanding. His concept of “building commonality on difference” reflects a vision of cultural exchange where diversity is celebrated as a means to create shared experiences. Through his theater and urban development projects, Roman seeks to bring people together, finding common ground despite their different backgrounds.

In his professional and personal endeavors, Roman Lepeshkin has become a key figure in Kyrgyzstan’s urban and cultural transformation. His work as both an urban planner and a theater director showcases his belief in the power of thoughtful design—whether in the buildings that shape a city’s skyline or the performances that challenge audiences to see the world differently.